New Drama Therapy Group begins April 23rd!


6 week session $240

The focus of this group will be processing transitions (or stagnancy in between transitions). Starting with Drama Therapy and community building exercises, we will move into different forms of narrative storytelling, embodiment, and projective techniques. As a group member, your sharing and the issues you choose to work around will be incorporated into the creative process!


at Creative Therapies Center
3205 Ocean Park Blvd #240, Santa Monica, CA 90405

For more information and to sign up:

Upcoming Workshops and Events | February and March 2019

Upcoming Workshops and Events in Los Angeles this Spring!

Scroll down for more information.

Saturday February 9
with Keynote Speaker Armand Volkas!

“Exploring the Use of Playback Theatre in Clinical Settings”
Eagle Rock, Los Angeles
7 CEs available
Saturday February 24
“Drama Therapy for Addiction Populations:
Addressing Burnout and Systems in Crisis”
Drama Therapy Institute of Los Angeles
7 CEs available 
Saturday March 2

“Exploring the Concepts of Power and Oppression through Drama Therapy”
Los Angeles County Psychological Association
6 CEs available
March 28 – March 31
Thursday 3/28 at 10am:
“Playback Theatre: Improv for Clinical Settings
and Community Cohesion”
Sunday 3/31 at 1:30pm:
“Transformation of Failure & Self-Blame:
Techniques from Theater of the Oppressed”
Hilton Los Angeles Airport

On addiction treatment and drama therapy

When working with people seeking help for addiction, the addiction is often the entry point to therapy. Underneath the addiction are sometimes years of trauma or loss that have gone unaddressed. I have worked with incredibly creative and dynamic survivors who have just never had the opportunity to fully explore their story. When we look at substances as the primary coping tool for a person in distress, we are able to reframe the narrative away from a moralistic view – and help our clients do so too.

One of the biggest strengths I see in using Drama Therapy is that it allows people to expand their understanding of themselves beyond just the roles of “Addict” or “Lost One.”  Many people come to treatment for addiction with shame, guilt, and self-hatred for hurt they have caused their loved ones. Much of the process of healing starts with tapping into a radical self-compassion. Drama therapy is perfectly suited for holding the complexity of both taking responsibility for one’s actions as an adult, while simultaneously expressing anger or loss at the trauma one experienced as a young person. 

I’ve worked with clients at a number of addiction treatment settings and levels of care. Drama therapy looks drastically different in each! What is possible and helpful in a long-term residential or dual-diagnosis treatment facility is different from a 30-day rehab or 8-day detox. In long-term residential, my relapse prevention groups integrated Playback Theatre and Theatre of the Oppressed techniques. The 30-day rehab program allowed for a structure where men and women could have drama therapy groups separately to deal with histories of trauma or abuse, and address toxic masculinity or internalized oppression.

Currently, my work using short-term interventions at a detox facility is focused on mindfulness, grounding in the body, and managing acute physical pain and anxiety. It can be exhausting going deep with new people each week and then almost immediately terminating. I’ve also had to adjust my expectations to make space for the physical illness of detox. My drama therapy groups might look like guided meditation or friendship bracelet making to an outsider – but it’s still drama therapy!  The common thread across sites is that the space we create for people to feel seen and heard is incredibly and irrevocably meaningful.

This ability to adjust my drama therapy interventions to fit the needs of each treatment level/site is something I attribute to the depth of my training at the NYU Drama Therapy Program. In our Clinical Populations course, Prof. Sara McMullian would often say that ‘the work is small.’ I thought I understood what she meant at the time, but years of working in different addiction treatment systems have deepened my understanding. At every level of care, I’ve found that my work in the room is impactful for the clients, however sometimes I forget how much power we have to impact a person/group/system with our interventions.

Just the other day, I was walking out of detox heading home, and I said goodbye to some clients by the elevator. Thanks and best wishes were exchanged. As I turned the corner, I overheard one man say to his peers with all sincerity, “She did her job today… because I didn’t leave.” My heart exploded! Sometimes our job is small, so small we don’t even realize we are making an impact. However, when we keep people in the room and in conversation with their healthiest selves, we plan the seeds to change the way they define themselves in the world. That step can be enough.

On mindfulness and drama therapy

So much of Drama Therapy is about integrating the body with the mind and spirit. The body holds trauma and emotions that our mind often works to avoid. By learning to listen to our body’s messages, we can start to process, tolerate, and cope with feelings that can be deeply uncomfortable but necessary for growth. We do this in many ways, often utilizing breath work, movement, storytelling, play or writing.

Often people think that Drama Therapy is about creating a performance or finished product to share. While it can be that, so much of the work is also process oriented. We work through fear, anxiety, pain and shame by practicing different ways of expressing ourselves. The moment is experienced fully and then let go. We process and release, making space for new roles, new narratives, and new goals in our lives.

The work is often small, much smaller than we expect. An exercise that I have been using a lot lately at the Eating Disorders Treatment Facility where I work is the “co-created one sentence story.” We go around the group circle with each person contributing a sentence to a story. Sometimes we start with a theme, but often we allow the story to unfold organically informed by the dialogue or check in before it. This game is one that children might play in summer camp, but used in a treatment setting, it can go very deep. There is a beauty in crafting a story together in the moment. The group must allow each individual to take control of the narrative and also trust that the individual will carry the group’s momentum. Each individual must also be open to letting go of the need to plan out what they are going to say. When given time, space, and depth, the exercise can delight, surprise, and connect people to their individual bodies and to the group as a whole. It is a practice in true mindfulness and creativity. We always start and end with a collective breath.

Maybe you’d like to try it sometime. It can be as silly or serious as you would like, but the shared experience of creating something together is always powerful.